It was going to happen eventually. Over the last few months I have found myself going through another massive Exploitation phase. For the uninitiated, this is far less sinister than it sounds. Basically, Exploitation cinema consists of everything that is cheap, sleazy, violent, sexy, horrific and well, exploitative I guess.

The image that you see above is of the infamous 42nd Street, New York. This was the epicentre for unsavoury celluloid throughout the 60’s and 70’s (with the eventual and unfortunately inevitable decline and corporate reconstruction of the area taking place in the late 1980’s). Notorious for its XXX adult features, but more interestingly, for some of the strangest and most entertaining alternative movies of the time. It was the polar opposite of the glamour that surrounded Mann’s Chinese Theatre in Hollywood. Grindhouse cinemas lined the street and they played to their audience. For better or worse the audience of this particular district was made up of pimps, hustlers, gangsters, dealers, hookers and johns.
It was all about shock; sometimes (more often than not) an attention grabbing title would be used to drag people in of the street. Lascivious and violent posters promised flesh, blood and action, and this was what they delivered in abundance.
It wasn’t just 42nd Street that created the genre, but it was definitely the hub. It was back in the 1930’s when ‘Cautionary Films’ were released, that the true origins can be pinpointed. Every second student has a ‘Reefer Madness’(1936) poster in their squalid, unwashed, shared accommodation, but I’m sure if a survey was taken, less than a third could actually profess to having seen the movie. In all honesty, they probably aren’t missing much, because it’s not very good, but it serves as a good example for all intents and purposes.
The ‘Drug Warning’ movies of this period stood alongside examinations of teenage pregnancy and pre marital sex, the dangers of peer pressure and jazz music. All of which show us that our generations are no more revolutionary and rebellious than those that existed almost a century ago. There was also a very obscure run of indescribable films at this time which signified the beginning of the B-Movie genre, films such as ‘Omoo Ommo the Shark God’ (1949), ‘Slaves In Bondage’ (1937) and ‘The Terror Of Tiny Town’ (1938) an all midget western.
Over the coming weeks and months, I invite you on a sporadic journey to familiarise yourselves with some Exploitation classics, their cousins, some of their cousins’ friends, and some chap they met down the Mess Hall named Bernard. We will examine the new generation, the classics, the forgotten gems, the ridiculous offshoots. We will prod inquisitively at the genre crossovers such as B-Movies, Trashy Horror, Giallo and Euro Horror, without retreading well worn steps. There would be no point in me telling you that Dawn of the Dead is a good movie, or how Evil Dead is worth watching, you already know this, if you didn’t, you wouldn’t have made it to the end of this article.
The last point and possibly the most important thing to remember in all of this is:
Keep telling yourself…………….

NB: 42nd Street now consists of McDonalds, Madame Tussauds, Lousy off-Broadway Theatres and loads of other shiny crap that holds no interest to anyone of discerning taste.